Commissioned by Serpentine Galleries, Minima Aesthetica acts as challenging response to D. Gonzales-Foerster’s show as well as homage to Adorno’s Minima Moralia (1951), playfully weaving visual contributions into the arguments.
Commissioned by Serpentine Galleries, Minima Aesthetica acts as challenging response to D. Gonzales-Foerster’s show as well as homage to Adorno’s Minima Moralia (1951), playfully weaving visual contributions into the arguments.