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Manu Luksch

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Upcoming

  • Caixaforum Saragossa. Camera and city. Scenes of modernity 17.09.2020 - 24.07.2021
  • CODAME Art+Tech VR show, New Art City 12.12.2020 - 14.12.2021
  • 28th New York African Film Festival 2021 04.02.2021 - 04.03.2021
  • e-flux Film & Video: True Fake: Artists’ Films Troubling the Real 09.02.2021 - 22.03.2021
  • Solid Roof, Severe Weather 04.11.2021 - 18.12.2021

Past

  • Law Research Seminar Series – The Legal ‘Readymade’ and Other Terms of Art 13.01.2021
  • Dreams Rewired: screening at ULTRAcinema, Mexico City 11.04.2019
  • New Notions Masterclass, Somerset House London 18.01.2020
  • Resonance FM: a sonic fiction, emerging from the lived reality of a London under ubiquitous surveillance 19.04.2019
AUGMENTED REALITY, VIRTUAL REALITY, CRYPTART
CONTAGIOUS WHISPER
ATLAS OF PREDICTIVE CITIES
ALGO-RHYTHM
THIRD QUARTERLY REPORT
DREAMS REWIRED
FACELESS
LOVE, PIRACY AND THE OFFICE OF RELIGIOUS WEBLOG EXPANSION
KAYAK LIBRE
ORCHESTRA OF ANXIETY
TELEMATIC PERFORMANCES
PREDICTIVE CITY ABC
GROUND TRUTH
THE BILLION $ DISSIDENT
OCCLUDED FRONT
VIRTUAL BORDERS
THE FORBERG COLLECTION AUDIO GUIDE
SHORT FILMS

Substrand interview on ALGO-RHYTHM and THE BILLION DOLLAR DISSIDENT

posted on January 27, 2019 by manuluksch

Posted in Uncategorized

Recent Posts

  • What is cryptart, as opposed to digital art? Are Ethereum art platforms in any way different from commercial art galleries? What are the new ideas and structures in this field?
  • Birkbeck’s School of Law: Law Research Seminar Series
  • Recording sessions continue
  • Globale Perspektiven Award 2020 for Algo-Rhythm (AT/UK/SEN 2019)
  • The Candidates

Archives

  • January 2021
  • November 2020
  • August 2020
  • June 2020
  • May 2020
  • February 2020
  • October 2019
  • April 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • July 2018
  • June 2018

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