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Manu Luksch

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Upcoming

  • Caixaforum Saragossa. Camera and city. Scenes of modernity 17.09.2020 - 24.07.2021
  • CODAME Art+Tech VR show, New Art City 12.12.2020 - 14.12.2021
  • 28th New York African Film Festival 2021 04.02.2021 - 04.03.2021
  • e-flux Film & Video: True Fake: Artists’ Films Troubling the Real 09.02.2021 - 22.03.2021
  • Solid Roof, Severe Weather 04.11.2021 - 18.12.2021

Past

  • Law Research Seminar Series – The Legal ‘Readymade’ and Other Terms of Art 13.01.2021
  • Dreams Rewired: screening at ULTRAcinema, Mexico City 11.04.2019
  • New Notions Masterclass, Somerset House London 18.01.2020
  • Resonance FM: a sonic fiction, emerging from the lived reality of a London under ubiquitous surveillance 19.04.2019
AUGMENTED REALITY, VIRTUAL REALITY, CRYPTART
CONTAGIOUS WHISPER
ATLAS OF PREDICTIVE CITIES
ALGO-RHYTHM
THIRD QUARTERLY REPORT
DREAMS REWIRED
FACELESS
LOVE, PIRACY AND THE OFFICE OF RELIGIOUS WEBLOG EXPANSION
KAYAK LIBRE
ORCHESTRA OF ANXIETY
TELEMATIC PERFORMANCES
PREDICTIVE CITY ABC
GROUND TRUTH
THE BILLION $ DISSIDENT
OCCLUDED FRONT
VIRTUAL BORDERS
THE FORBERG COLLECTION AUDIO GUIDE
SHORT FILMS

WISE and The Island of New Realities

posted on August 24, 2020 by manuluksch

Posted in Uncategorized

Recent Posts

  • What is cryptart, as opposed to digital art? Are Ethereum art platforms in any way different from commercial art galleries? What are the new ideas and structures in this field?
  • Birkbeck’s School of Law: Law Research Seminar Series
  • Recording sessions continue
  • Globale Perspektiven Award 2020 for Algo-Rhythm (AT/UK/SEN 2019)
  • The Candidates

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